The story begins with the composer's father Leopold with whom Mozart conducted a passionate and tortured correspondence. It is Leopold who knows Mozart's secrets. And there is another voice: that of the music itself. Music is the key to unlocking the emotions of Mozart, starting in this film with the great piano works. Without this key, how can we ever understand the emotions that gave birth to some of the most beautiful sounds the world has ever heard? The first great phase of Mozart's brief life was that of the travelling child prodigy - gifted as a performer and writer of music - who grew into the genius who, working within the restrictions of his time, began to rewrite the musical rules.But there was another facet to Mozart - the adult thinker aware of the bigger picture, passionately attached to the progressive values of the Enlightenment - impressively well-read, a speaker of most European languages (even a little English), an Austrian Catholic, a Freemason and above all a composer at the height of his formidable powers, determined to succeed in the most difficult and lucrative area of all - Opera. Towards the end of his life, Mozart mastered the language of instrumental and orchestral writing - and how both love and loss provoked in him an extraordinary burst of creativity. This was essentially crystallised in three ambitious works that changed the future course of music: his last, great trilogy of symphonies - numbers 39, 40 and 41 - which he wrote in six short weeks.

The story begins with the composer's father Leopold with whom Mozart conducted a passionate and tortured correspondence. It is Leopold who knows Mozart's secrets. And there is another voice: that of the music itself. Music is the key to unlocking the emotions of Mozart, starting in this film with the great piano works. Without this key, how can we ever understand the emotions that gave birth to some of the most beautiful sounds the world has ever heard? The first great phase of Mozart's brief life was that of the travelling child prodigy - gifted as a performer and writer of music - who grew into the genius who, working within the restrictions of his time, began to rewrite the musical rules.But there was another facet to Mozart - the adult thinker aware of the bigger picture, passionately attached to the progressive values of the Enlightenment - impressively well-read, a speaker of most European languages (even a little English), an Austrian Catholic, a Freemason and above all a composer at the height of his formidable powers, determined to succeed in the most difficult and lucrative area of all - Opera. Towards the end of his life, Mozart mastered the language of instrumental and orchestral writing - and how both love and loss provoked in him an extraordinary burst of creativity. This was essentially crystallised in three ambitious works that changed the future course of music: his last, great trilogy of symphonies - numbers 39, 40 and 41 - which he wrote in six short weeks.

The rise to fame of young Russian pianist Evgeny Kissin has seldom been equalled in the classical music world. Celebrated film-maker Christopher Nupen's film shows Kissin in preparation, interview, rehearsal and in several dazzling performances shot live on stage, in true concert conditions, where this artist is undoubtedly at his best. 　　It contains footage from Kissin's memorable BBC Proms concert at the Royal Albert Hall in 1997, the first solo recital in the history of the Proms. It also includes sequences with Kissin's mentor from the age of six, Anna Pavlona Kantor, who has become like a member of his family, and remains a guiding friend to this day. 　　The following pieces are played by Evgeny Kissin in this documentary: 　　Liszt - Transcendental Etude No. 10 in F minor 　　Gluck - Orfeo Euridice 　　Beethoven - ecossaise 　　Haydn - Sonata No. 16 in E-flat Major 　　Liszt - Nocturne No. 3 　　Liszt - Hungarian Rhapsody No. 12 in C minor 　　Chopin - Nocturne Op. 27 No. 2 　　Chopin - Sonata No. 3 in B-flat minor 　　Beethoven -- Turkish March 　　Chopin - Grand Waltz in A major 　　Paganini/Liszt -- La Campanella 　　Schubert - Moment Musical in F minor 　　Beethoven - Rondo a Capriccio 　　Chopin - Mazurka in A minor No. 4 　　Chopin -- Waltz No.14 in E minor

The rise to fame of young Russian pianist Evgeny Kissin has seldom been equalled in the classical music world. Celebrated film-maker Christopher Nupen's film shows Kissin in preparation, interview, rehearsal and in several dazzling performances shot live on stage, in true concert conditions, where this artist is undoubtedly at his best. 　　It contains footage from Kissin's memorable BBC Proms concert at the Royal Albert Hall in 1997, the first solo recital in the history of the Proms. It also includes sequences with Kissin's mentor from the age of six, Anna Pavlona Kantor, who has become like a member of his family, and remains a guiding friend to this day. 　　The following pieces are played by Evgeny Kissin in this documentary: 　　Liszt - Transcendental Etude No. 10 in F minor 　　Gluck - Orfeo Euridice 　　Beethoven - ecossaise 　　Haydn - Sonata No. 16 in E-flat Major 　　Liszt - Nocturne No. 3 　　Liszt - Hungarian Rhapsody No. 12 in C minor 　　Chopin - Nocturne Op. 27 No. 2 　　Chopin - Sonata No. 3 in B-flat minor 　　Beethoven -- Turkish March 　　Chopin - Grand Waltz in A major 　　Paganini/Liszt -- La Campanella 　　Schubert - Moment Musical in F minor 　　Beethoven - Rondo a Capriccio 　　Chopin - Mazurka in A minor No. 4 　　Chopin -- Waltz No.14 in E minor

音乐剧莫扎特是一部德奥音乐剧，由Michael Kunze作词，Sylvester Levay作曲，是一部描述Wolfgang Amadeus Mozart的德语音乐剧。全剧共有53首歌曲，分为两幕进行演出，其中包含了流行、摇滚和古典等各种风格的歌曲。 这部音乐剧概述了Wolfgang Amadeus Mozart的痛苦而又短暂的一生，突出了他对艺术的极致追求和对自由的无限渴求，也描绘出由此在他生活中与父亲和Colloredoqin亲王产生的冲突。这部音乐剧最特别的设定是，在舞台上让Mozart和一个孩子Amadè同时出现, 他就是小时候的Mozart, 永无停止地在写新的交响乐，最后也是他终结了Mozart的生命。

音乐剧莫扎特是一部德奥音乐剧，由Michael Kunze作词，Sylvester Levay作曲，是一部描述Wolfgang Amadeus Mozart的德语音乐剧。全剧共有53首歌曲，分为两幕进行演出，其中包含了流行、摇滚和古典等各种风格的歌曲。 这部音乐剧概述了Wolfgang Amadeus Mozart的痛苦而又短暂的一生，突出了他对艺术的极致追求和对自由的无限渴求，也描绘出由此在他生活中与父亲和Colloredoqin亲王产生的冲突。这部音乐剧最特别的设定是，在舞台上让Mozart和一个孩子Amadè同时出现, 他就是小时候的Mozart, 永无停止地在写新的交响乐，最后也是他终结了Mozart的生命。

《莫扎特/莫扎特》部分灵感源于历史事实。玛丽亚·安娜·莫扎特曾被誉为神童。在和弟弟沃尔夫冈·阿玛多伊斯一同演出时，她的名字排在前面。即便到了适婚年龄被迫停止公开演出，她仍坚持作曲，但她的作品遗失了，从未公开演奏过。

该剧改编自彼得·谢弗的经典剧作《上帝的宠儿》。 　　25岁的沃尔夫冈·阿玛多伊斯·莫扎特（福田知盛 饰）在父亲去世后失去生计，孤身前往维也纳谋生。一次偶然，他与才华横溢的女歌手康斯坦泽·韦伯（加布瑞拉·克里维 饰）结为盟友，后者凭借人脉将其引荐至宫廷作曲家安东尼奥·萨列里（保罗·贝坦尼 饰）的权贵圈层。原本的机遇却逐渐演变为一场天才与野心、艺术与权力的终极博弈——两人的对立不仅重塑了彼此的人生轨迹，更在古典音乐史上刻下了一段纠缠半生的传奇宿怨。

Adapted from Peter Shaffer’s stage play, Amadeus is set within the musical hub of bustling Vienna at the end of the 18th century, as the 25-year-old titular character arrives in the city no longer a child and determined to carve his own path. Recently unemployed and without the management of his father, Amadeus finds an unlikely ally in a young singer who will become his wife, the fiery Constanze Weber Mozart. Her connections help bring him into the orbit of the court composer Antonio Salieri, setting the three of them on a collision course that will ultimately define their lives and legacies for years to come.

《莫扎特的灵魂》拍摄了几位莫扎特的超级乐迷，并且他们身上体现了莫扎特的精神。来自瑞士的一位学校退休老师喜欢收集一切关于莫扎特得东西；来自美国奥克拉荷马的曾经的流行音乐创作人觉得她的身体里蕴藏着莫扎特的灵魂；来自美国加州的一位计算机天才用自己的软件创造了一种全新的莫扎特大提琴协奏曲；一位来自奥地利的宇航员弹得一手好钢琴，并且把莫扎特牌的巧克力带到太空去。通过这些喜欢莫扎特的人的奇怪、美妙而又感人的故事叙述，让观众了解到为什么莫扎特对于当今的乐迷来说是如此的迷人。对于他们来说，莫扎特意味着美妙音乐的精髓以及更多，他是一种符号，他依然活在我们的心中! 　　信息来源：iDOCS国际纪录片论坛http://www.idocs.cn/film.asp?id=23